old + old + old = new > references and links

REFERENCES

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Aoki, Keith; Boyle, James; & Jenkins, Jennifer. (2006). Bound by law? Tales from the public domain. Retrieved from http://www.law.duke.edu/cspd/comics/pdf/cspdcomichigh.pdf.

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Bagdikian, Ben H. (1997). The media monopoly. New York: Beacon Press.

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Bangeman, Eric. (2006, June 15). YouTube, Google videos latest targets of RIAA's wrath. Retrieved August 10, 2006, from http://arstechnica.com/news.ars/post/20060615-7065.html.

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Blakesley, David, & Brooke, Collin. (2002). Introduction: Notes on visual rhetoric. Enculturation, 3 (2). Retrieved December 10, 2005, from http://enculturation.gmu.edu/3_2/.

Boisvert, Anne-Marie. (2003). On bricolage: Assembling culture with whatever comes to hand. (Trans. Timothy Barnard). HorizonZero, 8 (April/May). Retrieved January 2, 2005, from: http://www.horizonzero.ca/textsite/remix.php?is=8&file=4&tlang=0.

Bolter, Jay David. (1991, 2001). Writing space (1st, 2nd ed.). Hillsdale, NJ: Lawrence Erlbaum.

Christiansen, Linda. (2004). Mickey Mouse still belongs to Disney: The Supreme Court upholds copyright extension. Academy of Marketing Science, 32(2), 212-214.

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Crawford, Walt. (2002). Copyright out of whack, I: Perpetual protection. Econtent, 25 (9), 45-46.

Crews, Clyde Wayne, Jr., & Thierer, Adam. (2002). How far can Hollywood go to protect copyrights? TechKnowledge Newsletter, 40. Retrieved January 10, 2006, from http://www.cato.org/tech/tk/020923-tk.html.

Diamond, Sara. (2003). Quintessence: Art history shake and bake. HorizonZero, 8 (April/May). Retrieved January 2, 2005, from: http://www.horizonzero.ca/textsite/remix.php?is=8&file=1&tlang=0.

Digital Media Consumer’s Right Act. (2002). H.R. 1201. Retrieved October 11, 2005, from http://www.house.gov/boucher/docs/dmcrahandout.htm.

Digital Millennium Copyright Act of 1998. Retrieved December 10, 2005, from http://www.copyright.gov/title17/.

Electronic Frontier Foundation. Support DMCA reform - Help pass HR 1201! Retrieved January 14, 2006, from: https://secure.eff.org/site/Advocacy?JServSessionIdr006=ublkw9
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Eyman, Doug. (1996). Hypertext and/as collaboration in the computer-facilitated writing classroom. Kairos: A Journal of Rhetoric, Pedagogy, and Technology, 1 (2). Retrieved September 10, 2005, from http://english.ttu.edu/kairos/1.2/binder.html?features/eyman/index.html.

Forsythe, Tom. (2004, August 10). Food Chain Barbie & the fight for free speech. Retrieved September 28, 2006, from http://www.ncac.org/art/20040810~USA~Tom_Forsythe_Food_Chain_Barbie.cfm.

Fisher, Ken. (2002, Sept. 30). Music Industry guilty of price-fixing? But, but, of course not! Retrieved October 1, 2006, from
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Gasaway, Laura N. (2005). Copyright issues and scholarly communications. Retrieved February 20, 2006, from

http://www.unc.edu/scholcomdig/whitepapers/gasaway.html.

Goldstein, Paul. (2003). Copyright’s highway: From Gutenberg to the celestial jukebox (rev. ed.). Stanford, CA: Stanford University Press.

Gurak, Laura J., & Johnson-Eilola, Johndan. (1998). Special issue: Intellectual property. Computers and Composition, 15 (2).

Herrington, Tyanna K. (1998). The unseen ‘other’ of intellectual property law, or intellectual property is not property: Debunking the myths of IP law. Kairos: A Journal of Rhetoric, Technology, and Pedagogy, 3 (1). Retrieved January 14, 2005, from: http://english.ttu.edu/kairos/3.1/coverweb/ty/kip.html.

Inman, James A.; Reed, Cheryl; & Sands, Peter. (Eds.). (2004). Electronic collaboration in the humanities. NJ: Lawrence Erlbaum Associates.

Karaoke brings customers and copyright concerns to business owners seeking to boost profits. Retrieved September 5, 2006, from http://www.bmi.com/news/200501/20050127a.asp.

Kirschenbaum, M. (1998) Intellectual property online: The case of student writing. Kairos: A Journal of Rhetoric, Technology, and Pedagogy, 3(1). Retrieved December 11, 2005, from: http:// english.ttu.edu/kairos/3.1/ binder2.html?coverweb/mk.html.

Landes, William M., & Posner, Richard A. (2003a). The economic structure of intellectual property law. Cambridge, MA: Belknap Press.

Landes, William M., & Posner, Richard A. (2003b). Indefinitely renewable copyright, 70 U Chi L Rev 471.

Lessig, Lawrence. (1999). Code and other laws of cyberspace. New York: Basic Books.

Lessig, Lawrence. (2002). The future of ideas: The fate of the commons in a connected world. New York: Random House.

Lessig, Lawrence. (2005). Free culture: The nature and future of creativity. New York: Penguin.

Litman, Jessica. (2001). Digital copyright. New York: Prometheus Books.

Lunsford, Andrea A., & West, Susan. (1996). Intellectual property and composition studies. College Composition and Communication, 47 (3), 383–411.

Lutzker, Arnold P. (2003). Content rights for creative professionals: Copyrights and trademarks in a digital age (2nd ed.). Oxford: Focal Press.

Maid, Barry. (2000). Yes, a technorhetorician can get tenure. Computers and Composition, 17, 9-18.

Manovich, Lev. (2002). Who is the author?: Sampling / remixing / open source. Retrieved December 30, 2005, from http://www.manovich.net/DOCS/models_of_authorship.doc.

McLeod, Kembrew. (2007). Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property. Minneapolis: University of Minnesota Press.

Mitchell, WJT. (1980). The language of images. Chicago: University of Chicago Press.

Mitchell, WJT. (1986). Iconology: Image, text, ideology. Chicago: University of Chicago Press.

Mitchell, WJT. (1994). Picture theory: Essays on verbal and visual representation. Chicago: University of Chicago Press.

Negativland. Negativland’s tenet’s of free appropriation. Retrieved January 19, 2006, from: http://www.negativland.com/riaa/tenets.html.

Negativland. Changing copyright. Retrieved January 19, 2006, from http://www.negativland.com/changing_copyright.html.

N.Y. bar finds itself in court over Karaoke. Retrieved September 10, 2006, from http://apnews1.iwon.com//article/20060726/D8J3MSU80.html.

Porter, James E. (2005, September). New (and old) modes of production and learning in the post-Napster era: Writing as memory, imitation, compilation. Presentation at the Conference on Originality, Imitation, and Plagiarism, University of Michigan, Ann Arbor, MI.

Posner, Richard A. (2003). The constitutionality of the Copyright Term Extension Act: Economics, politics, law, and judicial technique in Eldred v. Ashcroft. Supreme Court Review, 143-162.

RIAA objecting to free vid sites. Retrieved September 5, 2006, from http://www.physorg.com/news68997603.html.

The RIAA says no dancing to music on YouTube. Retrieved September 5, 2006, from http://techdirt.com/articles/20060614/1837225.shtml.

Rife, Martine C. (2007). The fair use doctrine: History, application, implications for (new media) writing teachers. Computers and Composition, 24, 154–178.

Samuels, Edward. (2000). The illustrated story of copyright. New York: Thomas Dunne Books.

Sharp, Jeff. (2002). Coming soon to Pay-Per-View: How the Digital Millennium Copyright Act enables digital content owners to circumvent educational fair use. American Business Law Journal, 40 (1), 1-81.

Sonny Bono Copyright Term Extension Act. (1998). Retrieved August 16, 2004, from http://www.copyright.gov/legislation/s505.pdf.

Sony v. Universal Studios. (1984). 464 U.S. 417. Retrieved February 10, 2006, from http://www.eff.org/legal/cases/sony_v_universal_decision.php.

Vaidhyanathan, Siva. (2003). Copyrights and copywrongs: The rise of intellectual property and how it threatens creativity. New York: New York University Press.

Vaidhyanathan, Siva. (2004). The state of copyright activism. First Monday, 9 (4). Retrieved January 10, 2006, from http://www.firstmonday.dk/issues/issue9_4/siva/index.html.

Webb, Suzanne; DeVoss, Dànielle Nicole; & digirhet.net. (In press). Grand Theft Audio: negotiating copyright as composers. Computers and Composition.

Westbrook, Steve. (2006). Visual rhetoric in a culture of fear: Impediments to multimedia production. College English, 68 (5), 457 –480.

LINKS

WRA 415: Digital Rhetoric > reading list

http://www.msu.edu/~devossda/415/readings.html

Chilling Effects Clearinghouse

http://www.chillingeffects.org/

Creative Commons

http://creativecommons.org/

Electronic Frontier Foundation

http://www.eff.org/

William Gibson,"God's Little Toys: Confessions of a Cut and Paste Artist"

http://www.wired.com/wired/archive/13.07/gibson_pr.html