The digitization and remediation of Alice is more than skin-deep. As we look into each version of Alice, we see not only her but ourselves and the media of the experience. The text is almost adversarial in its awareness of the constructedness both of text and identity. With those attributes, it recalls Galloway's construction of the interface: the remediations of Alice suggest an answer to the very questions the text has posed.

I set out to find Alice, and while I've captured many portraits, the whole is unknowable. The University of Florida Afterlife of Alice & Her Adventures in Wonderland collection suggests by its naming that Alice is on, at the very least, her second life: I would argue that she's been here all along, evolving alongside us as a convenient metaphor for the human in transition to digital. As alternate reality games give way to augmented reality and virtual reality finds new venues, Alice will no doubt journey down those rabbit holes with us, providing data for future constructions of simultaneously logical and nonsensical Wonderlands.